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stuckwithharrypottertilltheend:

The HP cast saying, “Hey, buddy, can I get an order of mozarella sticks, please?” with an American accent.

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TOM COMPLETELY NAILED IT

(Source: ameliaponds)

(Reblogged from elephantescapades)
  • are you gay?
  • straight people: wHAT?! NO! WHAT THE HELL OF COURSE NOT! I MEAN IM COOL WITH GAY PEOPLE BUT NO!!!
  • gay people: hella
  • pan/bi/poly people: ish?
  • are you straight?
  • straight people: YES????? WHAT ELSE WOULD I BE???? DO I LOOK GAY???? IS IT MY SHIRT????
  • gay people: nah
  • pan/bi/poly people: ish?
(Reblogged from elephantescapades)
This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals—sounds that say listen to this, it is important.

Gary Provost (via tuongexists)

Holy crap, what just happened there… (via cyrusgabriel)

Words, man. Words.

(via bookoisseur)

Wat

(Source: qmsd)

(Reblogged from elephantescapades)

nonconcept:

Apartment in Athens, Greece by Spacelab Architecture.

(Reblogged from nonconcept)
georgianadesign:

Glass House. Nico van der Meulen Architects, South Africa.

georgianadesign:

Glass House. Nico van der Meulen Architects, South Africa.

(Reblogged from georgianadesign)

life1nmotion:

Interior MA by INT2 Architecture

(Reblogged from life1nmotion)
(Reblogged from auerr)

cjwho:

Buck Creek House, California, USA by Fougeron Architecture | via

This three-bedroom home, on Big Sur’s spectacular south coast, is anchored in the natural beauty and power of this California landscape. Our design strategy embeds the building within the land, creating a structure inseparable from its context. The site offers dramatic views: a 250-foot drop to the Pacific Ocean both along the bluff and the western exposure. Yet it demands a form more complex than a giant picture window.

The long, thin volume conforms and deforms to the natural contours of the land and the geometries of the bluff, much like the banana slug native to the region’s seaside forests. In this way, the complex structural system applies and defies natural forms to accommodate the siting. The house is cantilevered 12 feet back from the bluff, both to protect the cliff’s delicate ecosystem and to ensure the structure’s integrity and safety. The interior is a shelter, a refuge in contrast with the roughness and immense scale of the ocean and cliff. The house also shields the southern outdoor spaces from the powerful winds that blow from the northwest.

Photography: Joe Fletcher

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(Reblogged from cjwho)
(Reblogged from nonconcept)

whirrrr:

oh, look at that. i’ve been impaled.

(Reblogged from whirrrr)